German loudspeaker architect Audio Physic acclaimed its 30th anniversary in 2015. In the apple of high-end audio, 30 years is absolutely an achievement. Equally laudable, Audio Physic’s antecedent loudspeaker, the Tempo, has been in connected accumulation aback 1986, admitting in abundant evolutionary incarnations. The latest adaptation of the Tempo, the Tempo plus, embodies aggregate that Audio Physic has abstruse about high-performance loudspeaker design.
From the company’s inception, Audio Physic’s architecture abrupt has focused on agreeable detail and soundstage precision. Adopting the motto, “No Accident of Accomplished Detail,” aggregation arch and arch designer, Manfred Diestertich, places a aerial antecedence on eradicating resonances, and the technologies active in the Tempo added reflect that. Having beat the capabilities of OEM disciplinarian manufacturers, Audio Physic partnered with Wavecor of China to architecture and accomplish bespoke transducers tailored to anniversary loudspeaker in its lineup. The Tempo added is a four-driver three-way floorstanding architecture that incorporates some altered technologies. Starting with the woofers, Audio Physic employs two 7″ aluminum drivers operating up to 150Hz. What separates the Tempo added from added loudspeakers is the address in which they’re utilized: army on the abandon of the chiffonier in a push-push arrangement, which is appear by Audio Physic to abolish accordance and the resultant action of chiffonier resonances they can cause. The midrange disciplinarian comprises a 5.9″ ceramic-coated aluminum cone, able with an aluminum appearance plug. Dubbed the Hyper-Holographic Cone Midrange (HHCM), the transducer incorporates a altered dual-basket architecture that combines aluminum for able calefaction amusement and artificial for centralized damping. Additionally, the cone diaphragm itself employs Audio Physic’s Active Cone Damping II, which constitutes a U-shaped adaptable arena added to the rim of the disciplinarian for black the campanology ancient to metal and added annealed cones. For the tweeter, the Tempo added uses a appearing conundrum, a cone. While about every aggressive loudspeaker utilizes a dome, Audio Physic, not agreeable with the breakdown and campanology associated with abounding such drivers, advised a 1.75″ cone, accepted as the Hyper-Holographic Cone Tweeter (HHCT). The architect maintains that the HHCT has burning characteristics that bigger bout those of the HHCM, consistent in a seamless alteration amid drivers, which, accompanying with the above resonance-dampening techniques active in the midrange cone, culminate in a tweeter that imposes little to no sonic signature on the acute range.
The Tempo plus’ cabinet, too, is the almsman of assorted abstruse advances. Externally, the advanced addle slopes aback at a seven-degree bend to time-align the tweeter and midrange. All drivers are mechanically decoupled from the chiffonier via neoprene, as is the Vibration Control Terminal (VCT) on the rear that houses the single-wire WBT NextGen five-way bounden posts. The rear-ported cabinet’s ancillary walls are angled and asymmetrical, which forth with the raked-back advanced and rear baffles, serve to abate centralized continuing waves. The Tempo added is furnished with aluminum outriggers, which, when attached to the basal of the loudspeaker, accommodate added stability, as able-bodied as the adeptness to akin the apostle via adjustable attic spikes. Internally, the speaker’s chiffonier is heavily braced, with added resonance abridgement provided address of open-cell bowl cream activated to key areas of the chiffonier walls. This open-cell cream is 85% porous, accouterment structural acerbity while demography up beneath space, thereby maximizing centralized aggregate for added bass reproduction. The crossover utilizes high-quality genitalia and is afar above three boards in adjustment to bottle best arresting integrity.
Specifications for the Tempo added accommodate a acme of 39.4″ and a abyss of 12″. Due to its absurd sidewalls, the amplitude varies from 5.8″ at the advanced addle to a best of 7.4″ area the sidewalls blaze out. The Tempo Added weighs 44 pounds. Abundance acknowledgment is defined as 32Hz – 40kHz, with a recommended ability ambit of 20 – 150 watts into its nominal 4-ohm impedance. Chiffonier finishes accommodate blooming and walnut, with an upcharge for exceptional gloss-white or gloss-black. Audio Physic warrants the Tempo added for a aeon of 10 years.
The Tempo added loudspeakers acclimatized from VANA Ltd., the US benefactor for Audio Physic, in abstracted athletic agenda boxes beggared to a pallet. Unpacking the loudspeakers accepted easy, and the abundant apprenticeship chiral fabricated installing the outrigger anxiety a breeze. Anniversary Tempo added includes, in accession to the above apprenticeship chiral and outrigger feet, a set of attic spikes, forth with accoutrement for adjusting, and barbecue cloths for the midrange and tweeter disciplinarian arrays. Accompanying anniversary akin brace of loudspeakers is a affidavit absolute signatures of the Audio Physic aggregation associates amenable for end-to-end accumulation and and final quality-control testing. An Audio Physic-branded balloon akin is additionally provided to abetment with leveling anniversary apostle on asperous floors. My Tempo added speakers were alluringly accomplished in cherry.
During the advance of the analysis period, my arrangement comprised Bel Canto S300iu, Clones Audio 25iR and conrad-johnson CA150 chip amplifiers, Simaudio MOON CD5.3 and Marantz SA-10 disc players, Kimber Select KS-1036 and Kimber Hero AG interconnects and Kimber Monocle X apostle cables, Audience aR2p-TO ability conditioner and Audience powerChord ‘e’ ability cords. Components resided on the Solidsteel 6.2 Audio Table, and allowance treatments were provided by Acoustic Sciences Corporation.
Equally adequate in nearfield and farfield configurations, adjustment of the Tempo added appropriate cogent affliction to ensure that their side-firing woofers and rear ports did not beat the alert space. Once siting was optimized with account to bass clarity, I formed to aerate their superb imaging capabilities via ample analysis with ambit amid the speakers, ambit to the alert position, and toe-in. Once absolutely dialed in, the Tempo added loudspeakers angry out to be superb performers.
Audio Physic loudspeakers accept been historically acclaimed for their soundstaging prowess, as able-bodied as their acceleration and active reflexes, accompanying with a presentation that could sometimes angular to the acknowledgment ancillary of the tonal spectrum. The Tempo added bankrupt with that tradition, proving itself to be cut from a somewhat altered cloth. Oh, the holographic imaging qualities were present in abundance, as was the adroit activity I’ve appear to apprehend from Audio Physic designs. But, these qualities were akin to a tonal antithesis that was aerial and fulsome. Bass frequencies were affluent and rounded, and aback alleged for, were bedevilled of hasty abyss and power. Whether it was Geddy Lee’s bass arena on “Tom Sawyer” and “YYZ” from Rush’s Moving Pictures release (Mercury 314 534 631-2), or the anguish deep-bass synthesizer present on “Sunset Drive” off of Tangerine Dream’s Wavelength soundtrack anthology (Varese Sarabande VSD 47223), there was adaptable alteration and adequateness to the Tempo plus’ lower alcove that fabricated the apostle complete abundant above than its concrete ambit would imply. And, the Tempo added was able to move a lot of air aback required. Alert to “Ants in Me Room” from Radio Massacre International’s Solid States CD (Northern Echo NE012), I could feel the low-frequency sweeps in my chest as I added the aggregate to levels above which I accede prudent; no bulk how calumniating the levels at which I listened, however, the apostle consistently maintained its composure, never aural annihilation beneath than clean, which is a attestation to the ballsy efforts Audio Physic has taken to eradicate chiffonier and disciplinarian resonances. Likewise, the analytical alteration from bass to midrange was seamless, with the midbass possessing the requisite bulk of bloom. Harry Chapin’s articulate on “Sniper” from his additional album, Sniper and Added Love Songs (Elektra EKS-75042), was rendered with amore and presence, yet after balance balloon or overhang.
The Tempo added reproduced the analytical midrange with goose-bump-inducing verisimilitude. Whether it was Miles Davis’ trumpet on “So What” from Kind of Blue (Columbia/Legacy CK 64935), Steve Howe’s acoustic guitar on “Mood for a Day” from Yes’ Fragile (Mobile Fidelity UDCD 766), or Paul Simon’s articulate on “Train in the Distance” from his Hearts and Bones CD (Warner Bros 23942-2), there was an autogenetic accuracy that was absolutely beguiling. How about those Hyper-Holographic Cone tweeters? Well, in abounding ways, they lived up to Audio Physic’s claims that they complete like no tweeters at all. Apple-pie and resolving, with air and addendum that seemed limitless, they reminded me added of ribbons than moving-coil transducers. Elvin Jones’ cymbal assignment on Bill Frisell with Dave Holland and Elvin Jones (Nonesuch 79624-2) shimmered, and had the chaw I’ve appear to apprehend from this excellent-sounding recording. It was apparent, however, that the Tempo plus’ mid-treble was advisedly tailored to complete added aerial than I’m acclimatized to. Articulate sibilants and tambourines were a little recessed in the soundstage. But, as the acknowledgment seemed to balance in the top octave, I begin that detail was not obscured, aloof that it was not actuality affected aloft me. Once I acclimatized to alert in to the recording, I accomplished that I was not missing anything. But again, attributable to the absolute abridgement of resonance in the speaker’s design, there was a abstract break of instrumentation, no bulk how circuitous the mix. The low-level cyberbanking cymbal assignment present in the appellation clue of Thomas Dolby’s The Flat Earth remastered absolution (EMI 50999 2 67911 2 8) was not as arresting as I’ve witnessed over added speakers, but paradoxically, I was able to added calmly anticipate its attendance as Dolby’s vocals and the band’s accompanying chart swelled during the choruses. No accident of accomplished detail, indeed.
Audio Physic’s loudspeakers accept consistently been acclaimed for their imaging and soundstaging abilities, and the Tempo added lived up to the aerial expectations I had for it in this regard. Properly placed, the Tempo added absolutely and assuredly abolished into the soundstage. Some loudspeakers present the soundstage aback abaft the even of their baffles, while others advance images appear the listener. Conceivably attributable to its slight mid-treble reticence, the Tempo added tended to band images abaft its concrete location. However, the Tempo added excelled in a brace key areas. First, aural the soundstage, alone instruments would frequently pop out, in bas-relief fashion, consistent in a presentation busy with dimensional images that lived and breathed. Secondly, angel focus was excellent, but afresh conceivably attributable to the angled mid-bass and aerial treble, images were absorbed with amazing density, lending the all-embracing accomplishment weight and gravitas I would commonly accessory with abundant above loudspeakers.
Comparing the Audio Physic Tempo added to the Monitor Audio Gold 100 accepted enlightening. Advised in England and bogus in China, the Gold 100 is a stand-mounted loudspeaker apartment a 6.5″ woofer and a award tweeter. Both drive units are formed out of Monitor Audio’s proprietary ceramic-coated aluminum-magnesium admixture (CCAM). The Gold 100 boasts a abundance acknowledgment of 42Hz – 60kHz and an 8-ohm impedance. There were accessible differences amid the two speakers. The Gold 100 played with hasty heft, but did not acquire the bass abyss or amore of the above Tempo plus. Both the award tweeter in the Monitor Audio apostle and the HHCT in the Audio Physic apostle were aerial and extended. The Gold 100 acutely had added activity in the mid-treble, but additionally apparent a bit of atom compared to the Tempo plus. The analytical midrange was reproduced by both speakers in an essentially-neutral fashion, with the Tempo added hewing added to the warm, abounding ancillary of the spectrum as compared to the cooler, added ascetic presentation of the Gold 100. The Monitor Audio beheld well, but in absolute allegory to the Audio Physic, presented the soundstage afterpiece to the listener, with a attenuate abridgement of dimensionality. Lastly, the Tempo plus’ aqueous and candid way of authoritative music apparent a adumbration of automated artifice on the allotment of the Gold 100.
Meticulously hand-crafted and masterfully advised to annihilate all address of driver-induced and cabinet-borne resonances, the Audio Physic Tempo added is that attenuate brand of loudspeaker that combines attention with amoebic amore and grace. A accurate sonic chameleon, the Tempo added disappears into the soundstage, abrogation annihilation but music. A arresting achievement.
Audio Physic Tempo added Loudspeaker
Retail: $6000 per brace in accepted finishes
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